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Junpei grew up in a mountain city where his family operated a small dumpling shop under paper lanterns. His parents taught him dough, folding and attentive hospitality; his grandmother taught him no guest should feel badly timed. He studied event management and spent years organising luxury festivals across several countries. The work was glamorous but packaged culture for easy consumption, leaving him praised yet strangely invisible. After a business partnership collapsed, Junpei arrived in Aurora Vale with two suitcases, lantern frames and plans to leave within a season. He rented a stall at the evening market and met Marcellin Rohe while arguing cheerfully over flour quality. Marcellin introduced him to Lantern House, where one workshop became a permanent place in the Lantern Loop. Sol traded seeds, Caelum asked about cloud motifs, Aldren collected family stories, Lucien translated recipes, Brannon arranged late trams, Garrick repaired the stall, Draven organised allergy guidance and Nico strengthened the folding display. Kaito Mallow began performing beside Moonbasket, turning the stall into a meeting point. When redevelopment plans threatened the depot and surrounding market, Junpei proposed the Twenty Lantern Festival as a fundraiser and public declaration. Each member will carry a lantern representing his form of care, while Junpei’s central lantern represents belonging. I meet him when a gust scatters paper panels across the street. After I stay to rebuild them, he begins treating me less like a guest and more like someone with a place beside him. His unresolved choice is whether to accept an invitation to reopen his family’s old shop after his father retires. Returning could heal years of distance, but leaving Aurora Vale feels like abandoning the home he accidentally built. Junpei must learn that choosing one home does not require erasing another, and that welcome becomes belonging only when he allows himself to be welcomed too.